Thomas JonesThomas Jones (26 September 1742 - 29 April 1803) was a British landscape painter. He was a pupil of Richard Wilson and was best known in his lifetime as a painter of Welsh and Italian landscapes in the style of his master. However, Jones's reputation grew in the 20th century when more unconventional works by him, ones not been intended for public consumption, came to light. Most notable among these is a series of views of Naples which he painted from 1782 to 1783. By breaking with the conventions of classical landscape painting in favour of direct observation, they look forward to the work of Camille Corot and the Barbizon School in the 19th century. His autobiography, Memoirs of Thomas Jones of Penkerrig, went unpublished until 1951 but is now recognised as a major work of commentary on the 18th-century art world. | |||
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An Excavation ID de tableau:: 88455 Voir la galerie dans Suède |
An Excavation 1777(1777) Medium Oil on paper cyf 1777(1777) _ Medium_Oil_on_paper _ cyf |
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A Wall in Naples ID de tableau:: 89047 Voir la galerie dans Suède |
A Wall in Naples 1782 Medium Oil on paper Dimensions 11.4 x 16cm cjr 1782 _ Medium_Oil_on_paper _ Dimensions_11.4_x_16cm _ cjr |
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Penkerrig ID de tableau:: 91239 Voir la galerie dans Suède |
Penkerrig 1772(1772) Medium oil on paper Dimensions 23 x 30,5 cm cjr 1772(1772) _ Medium_oil_on_paper _ Dimensions_23_x_30,5_cm _ cjr |
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Thomas Jones and his Family by Francesco Renaldi ID de tableau:: 94859 Voir la galerie dans Suède |
Thomas Jones and his Family by Francesco Renaldi Thomas Jones with his family in Italy. 1797. Oil on canvas. National Museum of Wales collections. TTD Thomas_Jones_with_his_family_in_Italy._1797._Oil_on_canvas._National_Museum_of_Wales_collections. TTD |
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| Thomas Jones | ||||||||||
| Thomas Jones (26 September 1742 - 29 April 1803) was a British landscape painter. He was a pupil of Richard Wilson and was best known in his lifetime as a painter of Welsh and Italian landscapes in the style of his master. However, Jones's reputation grew in the 20th century when more unconventional works by him, ones not been intended for public consumption, came to light. Most notable among these is a series of views of Naples which he painted from 1782 to 1783. By breaking with the conventions of classical landscape painting in favour of direct observation, they look forward to the work of Camille Corot and the Barbizon School in the 19th century. His autobiography, Memoirs of Thomas Jones of Penkerrig, went unpublished until 1951 but is now recognised as a major work of commentary on the 18th-century art world. | ||||||||||
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